Emmerich Nwspr v. Particle Media
CourtCourt of Appeals for the Fifth Circuit
Date FiledAugust 27, 2026
Docket25-60550
StatusPublished
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Full Opinion
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United States Court of Appeals
for the Fifth Circuit United States Court of Appeals
____________ Fifth Circuit
FILED
No. 25-60550 August 27, 2026
____________
Lyle W. Cayce
Clerk
Emmerich Newspapers, Incorporated,
Plaintiff—Appellant,
versus
Particle Media, Incorporated, doing business as Newsbreak,
Defendant—Appellee.
______________________________
Appeal from the United States District Court
for the Southern District of Mississippi
USDC No. 3:23-CV-26
______________________________
Before King, Higginson, and Duncan, Circuit Judges.
Stephen A. Higginson, Circuit Judge:
As we understand the operation of the internet exoterically, it consists
of websites and links that are, in the truest sense, embedded in our everyday
life. But this appeal turns on the esoteric. We must understand the
innerworkings of this technology to comprehend how another framework—
that of copyright law—can be superimposed on it.
Emmerich Newspapers, Inc. (“Emmerich”), a publisher of various
local news publications, sued Particle Media, Inc. (“Particle”), asserting
claims of copyright infringement. Particle operates NewsBreak, a news
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aggregator website and application, in which it links to news from various
publications, including those Emmerich owns and publishes.
This appeal ultimately concerns technical aspects of the internet that
enable NewsBreak to operate. Emmerich claimed that Particle “frames”
Emmerich articles in a way that infringes upon Emmerich’s exclusive right
to the public display of its own content, as provided under the Copyright Act
of 1976. Additionally, Emmerich claimed that its URLs, or uniform resource
locators, that identify the location of its website on the internet, constitute
“copyright management information” (“CMI”), which is protected from
unauthorized alteration or removal under the Digital Millenium Copyright
Act (“DMCA”). Accordingly, Emmerich claimed that when Particle
displayed Emmerich’s content under Particle’s own URLs, it removed
Emmerich’s CMI in violation of the DMCA.
The district court denied these claims. Applying the Ninth Circuit’s
“server test,” the district court determined that because Particle did not
have a copy of the content stored on its server and only linked to Emmerich’s
server, Particle did not infringe on Emmerich’s display rights. See Perfect 10,
Inc. v. Amazon.com, Inc., 508 F.3d 1146 (9th Cir. 2007). Moreover, the district
court found that URLs serve primarily as a functional reference to locate
addresses on the internet and, therefore, do not contain the markers
necessary to constitute CMI.
On interlocutory appeal, Emmerich presents two questions of law:
(1) whether the server test is the proper standard to apply to copyright
infringement claims, in accordance with the text and meaning of the
Copyright Act; and (2) whether URLs can constitute CMI, subject to the
safeguards of the DMCA.
Given the ubiquity of linking on the internet, we recognize the great
practical effects that could follow our answers to these questions. We are
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careful to only answer the questions of law before us, minimally. From careful
analysis of the statutory texts, we conclude, first, that Particle’s manner of
linking does not run afoul of the Copyright Act, although we anchor on
different language than that of the server test. Second, we find that the
DMCA does not foreclose URLs from constituting CMI, but given the
functional purpose of URLs, for a URL to be CMI, it would need to clearly
convey the characteristics required by the statute. For the reasons discussed
below, we remand for proceedings consistent with this opinion—
incorporating the fullness of facts related to these technologies.
I. Background
Emmerich owns and publishes over 26 publications both in print and
online, serving communities in Mississippi, Arkansas, and Louisiana.
Emmerich asserts copyright infringement claims against Particle, a news
aggregator based in Mountain View, California. Particle developed a
specialized search engine called NewsBreak, which connects users to news
from an array of publications on both its free website and its app. In
particular, NewsBreak collects local and national news content into a single
newsfeed for users.
Although the questions presented in this interlocutory appeal are ones
of law, we must first provide a backdrop of the underlying technology at issue,
as well as the pertinent provisions of the Copyright Act and the DMCA.
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A. Server and Linking Technology
This appeal relates to two core functions that undergird the operation
of the internet as we know it: servers and linking. We briefly contextualize
the role of these functions in the broader internet ecosystem.1
The internet is, in essence, a network of connections. Starting with
the very place a reader is likely seeing this opinion, a webpage (or its
component text and images) is stored on a server. Servers, in effect, are the
locus centers of the internet. They not only store content, such as webpages
or various components of webpages, but also provide this content to
computers that request it. Simply, servers function “to serve data to some
other computer that has requested it.” Stephan S. Dalal, The Basic Operations
of a Webpage, 1 Geo. L. Tech. Rev. 234, 237 (2017). The software behind
servers “has three core features: the ability to handle requests by other
computers; to store and organize files in a certain way; and to make those
files accessible . . . through the internet.” Id. The first of these features is
central to this case.
To see any webpage, our computers are engaging in a series of steps
behind the scenes. Servers that store, also understood as “host,” webpages
can be accessed by visiting their specific addresses, or their URLs as we
commonly understand them. Thus, when a user wants to visit a certain
webpage, she provides the URL to her internet browser, which consequently
instructs the browser on where to access the webpage—that is, where to
locate the server that hosts that page. See Leader’s Inst., LLC v. Jackson, 2017
WL 5629514, at *10 (N.D. Tex. Nov. 22, 2017).
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1
This section describes the technology at issue as we understand it, principally
from the parties’ and amici’s descriptions, relevant caselaw, and scholarly commentary.
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But the process is not yet complete. Even after locating the right
server, the user’s computer must now request access to the relevant
information—here, the webpage—from the server, which occurs through
back-end code. Once the user’s computer receives instructions from the
server, it must read and interpret them in order for the user to see the
webpage. These instructions are often written in a language called
HyperText Markup Language (“HTML”). Thus, when the user sees an
article, for example, she is only seeing it by way of her computer interpreting
the HTML instructions it received from the server that hosts the article.
The above depicts a single process that may occur for a user to see a
webpage. But the World Wide Web is, in fact, a web, wherein this process
occurs constantly to connect users, computers, webpages, and servers alike.
These connections occur through hyperlinks, the second function we are
concerned with in this appeal. As we commonly recognize, links are often
denoted by the blue, underlined URL, but the link itself provides the
information needed for one computer to engage with another, in the process
described above. Links can be integrated in a number of ways. There is simple
hyperlinking, wherein a user clicks the blue, underlined link and is brought to
that new webpage, as occurs when selecting a search result from Google.
There is also “in-line linking,” which is at issue in this case. In-line linking,
also known as embedding, is the “process by which the webpage directs a
user’s browser to incorporate content from different computers into a single
window.” Perfect 10, 508 F.3d at 1161. As far as its visual appearance, content
from in-line links may look different depending on how a webpage is coded
on the back-end. For one, it can appear to be framed, where the linked page
appears in a pop-up frame from the existing page (“Framed View”). Links
can also appear to be incorporated directly into the existing webpage. One
form of this type of in-line linking is the “full-text reproduction” of content,
whereby the linked webpage is reproduced entirely on the linking webpage
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(“Full-Text View”). Emmerich Newspapers, Inc. v. Particle Media, Inc., No.
3:21-CV-32-KHJ-MTP, 2022 WL 3222892, at *1 (S.D. Miss. Aug. 9, 2022)
(hereinafter “Emmerich I”).
Having described this backdrop, we turn to Particle’s use of Framed
View and Full-Text View, alongside the statutes and context at issue in this
appeal.
B. Framed Linking and the Copyright Act Claim
The Copyright Act provides copyright owners with certain
“monopoly privileges,” granting them various rights over the use of their
works. See Sony Corp. of Am. v. Univ. City Studios, Inc., 464 U.S. 417, 429
(1984); 17 U.S.C. § 106. This appeal pertains to Section 106(5)’s provision
of the right “to display the copyrighted work publicly.” 17 U.S.C. § 106(5).
Emmerich claims that Particle infringed its display rights by showing
Emmerich articles on the NewsBreak App.
Similar to other news apps, the NewsBreak App links, and shows
users content, through Framed View. See Emmerich I, 2022 WL 3222892, at
*1. Building on the description above with respect to how linking works
between a user’s computer and the webpage she would like to see, framing
essentially changes the appearance of how the linked content is shown to the
requesting user. From the NewsBreak newsfeed, users see a thumbnail image
of an article and can click it to link to that article. Id. Then, as the embedding
webpage, NewsBreak creates an empty frame within its own page and fills the
frame according to the instructions it receives from the link; that is, the link
connects to the address of the server for the relevant article webpage and
receives instructions from that server. The frame typically populates with the
linked webpage in its entirety. See Leader’s Inst., 2017 WL 5629514, at *10
(describing framing as “the user [] see[ing] the website she has visited
framing the content the website instructed the web browser to retrieve from
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the other computer”). Users therefore see a live view of the linked webpage
from the other site, but it is viewed from within the frame of the embedder,
NewsBreak. Id. (explaining that the linked information is seen by users “at
the same time as information retrieved from the first computer”). According
to Particle, that means “what the user sees when clicking on the link in
NewsBreak will change if the publisher changes the content.”
Although Particle partners with certain publishers, Emmerich is an
example of a non-partner publisher. For partners, Particle is permitted to
host the partners’ articles on its server, with the partners receiving benefits
such as shared ad revenue. But for non-partner publishers, Particle describes
the NewsBreak App as showing their articles through an “industry-standard
web browser directly from the publisher’s own server.” “The built-in
browser . . . opens the link to the publisher’s website and the user then views
the content that the publisher’s website and server publicly display.” Particle
characterizes this action as “retriev[ing]” a webpage, “just as with other
browsers like Chrome or Safari.” In other words, from the NewsBreak App,
users could see the live page of an Emmerich article on an Emmerich site.
Emmerich’s central issue with Framed View is that users “would not
be aware” they were still on NewsBreak’s website without looking to the
URL or noticing that NewsBreak ads are still shown. Particle disputes this
and argues, for example, that the only NewsBreak elements a user would see
in the frame are “a small Newsbreak ‘N’ at the top left of the screen to direct
the user back to the NewsBreak news feed or search result list, as well as like,
comment, and share buttons and potential ads from the App itself,” which
appear outside the in-app browser component but “not to the exclusion of
the publisher’s buttons and ads on its webpage.”
Such factual disputes, although not before us on appeal, help color the
contours of the central Copyright Act issue on interlocutory appeal. Namely,
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when turning to the statutory text in Part IV—as relevant to the first legal
question before us—we consider how this functionality influences whether a
framed view of third-party content constitutes an infringement of said third-
party’s copyrights.
C. URLs and the DMCA Claim
In response to the “expansion of the speed and capacity of the
Internet,” the DMCA was enacted to reinforce certain protections provided
in the Copyright Act. S. Rep. No. 105-190, at 8 (1998). Congress passed the
DMCA, in part, to “make it unlawful to intentionally provide false
information, or to deliberately alter or delete information provided by a
copyright owner which identifies a work, its owner or performer, and the
terms and conditions for its use.” H.R. Rep. No. 105-551, Part 1, 105th Cong.,
2d Sess. (1998).
The DMCA protects a category of data known as “copyright
management information” (“CMI”), which cannot be removed or altered by
any third party. 17 U.S.C. § 1202. The statute defines what types of
information qualifies as CMI, such that it can be deemed information
“conveyed in connection with” the copyrighted work. Id.
Emmerich asserts that its URLs qualify as CMI because they include
“both the title of the work and the name of the copyright owner (i.e., the
publisher).” The parties’ URL dispute derives from another scenario in
which Particle displayed Emmerich articles in Full-Text View, different from
the Framed View described above. In Full-Text view, Emmerich argues that
Particle removed Emmerich URLs, displaying them under Particle’s own
URLs. According to Emmerich, this removal of URLs is an unauthorized
removal of CMI.
For reference again, Full-Text View involved the full reproduction of
articles. Emmerich I, 2022 WL 3222892, at *1. This occurred only on Android
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devices and during a period from 2019 to 2021 in which the NewsBreak App
purportedly glitched. Id. Particle asserts the glitch was fixed once it was made
aware.2
Emmerich describes Full-Text View as showing its article “under
NewsBreak’s URL, with all Emmerich’s identifying information removed
apart from the article’s headline, accompanying photograph, and full-text
news article.” Particle emphasizes that this was a glitch, wherein the articles
were “self-hosted” on NewsBreak as articles are when the publication is a
NewsBreak partner, and the glitch was promptly fixed. But we need not
explore this factual issue further and only remain concerned with the nature
of URLs as CMI—the second certified legal question before us.
II. Procedural History
Emmerich first filed suit against Particle in January 2023 and then
filed another suit in June of 2023. The two actions were consolidated.
Emmerich’s claims were based on infringements regarding over 33,000 of its
articles, but it later dismissed its claims as to 27,100 of the articles. Emmerich
continued with its claims regarding unlawful displays of its articles in both
Framed View and Full-Text View, as well as unlawful removal of its URLs.
The parties proceeded to discovery, after which Emmerich moved for
summary judgment. The district court initially denied its motion for
summary judgment in June 2024. The parties then cross-moved for summary
judgment on various claims. A year later, the district court granted in part
and denied in part Emmerich’s second motion for summary judgment and
_____________________
2
Moreover, Particle clarified that, starting in 2021, it no longer linked to any
articles from Emmerich’s publishers in general.
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granted in part and denied in part Particle’s motion for partial summary
judgment.
The district court granted Emmerich’s motion on its claim that
articles displayed in Full-Text View violated the Copyright Act, which rested
on the previous litigation between the parties in 2022 in another court in the
same district. See Emmerich I, 2022 WL 3222892, at *5. It denied
Emmerich’s motion and granted Particle’s motion on Framed View: the
district court held that Particle’s display of Emmerich’s articles in Framed
View did not amount to a display under 17 U.S.C. § 106(5) and therefore did
not constitute infringement of Emmerich’s display rights. Separately, the
district court held that “URLs are not conveyed in connection with a
copyrighted work and therefore, do not constitute CMI,” denying
Emmerich’s motion as to this claim and granting Particle’s motion.
A few weeks later, Emmerich moved for an interlocutory appeal.
Pursuant to 28 U.S.C. § 1292(b) and Rico v. Flores, 481 F.3d 234, 238 (5th
Cir. 2007), the district court certified the following two legal questions for
appeal:
1. Whether the “server test” is the proper standard for
evaluating infringement on the copyright holder’s exclusive
display right under 17 U.S.C. § 106(5); and
2. Whether under § 1202 a URL can be considered Copyright
Management Information, and, if so, whether a URLs
intentional removal constitutes a violation of § 1202(b)(1).
The district court stayed proceedings pending resolution of this appeal.
Emmerich timely appealed, and another panel of our court granted
interlocutory review. Jurisdiction is proper, and no party argues otherwise.
The district court had jurisdiction under, inter alia, 28 U.S.C. § 1331, and we
have jurisdiction under 28 U.S.C. § 1292(b).
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III. Standard of Review
We review a district court’s grant of summary judgment de novo.
BWP Media USA, Inc. v. T & S Software Assocs., Inc., 852 F.3d 436, 438 (5th
Cir. 2017). Because this case presents an interlocutory appeal from a partial
grant of summary judgment, our review is limited to issues of law. See Garcia
v. Orta, 47 F.4th 343, 348 (5th Cir. 2022). Here, the central legal issues are
interpretation of the Copyright Act and the DMCA. We interpret such
statutes de novo. See BWP Media USA, 852 F.3d at 438.
In light of the interlocutory posture of this appeal, we review only the
two questions that were certified. First, whether the server test comports
with the plain language of the Copyright Act and is the proper standard for
reviewing display right infringement claims. And, second, whether URLs can
constitute CMI, subject to the safeguards of the DMCA.
IV. Display Right
The Copyright Act grants the owner of a copyright the exclusive right,
“[i]n the case of literary, musical, dramatic, and choreographic works,
pantomimes, and pictorial, graphic, or sculptural works, including the
individual images of a motion picture or other audiovisual work, to display the
copyrighted work publicly.” 17 U.S.C. § 106(5) (emphasis added). Violating
this right is an infringement of the copyright, redressable through damages
and injunctive relief against the infringer. 17 U.S.C. §§ 501(a), 502(a), 504.
Emmerich claimed that Particle’s framing of Emmerich articles
infringed its display right. To assess the alleged infringement, the district
court relied on the Ninth Circuit’s approach in Perfect 10, Inc. v. Amazon.com,
Inc., termed the “server test.” 508 F.3d at 1159. Under this test, “the owner
of a computer that does not store and serve the electronic information to a
user is not displaying that information, even if such owner in-line links to or
frames the electronic information.” Id. The Ninth Circuit clarified that when
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a third-party site “does not have any ‘material objects . . . in which a work is
fixed . . . and from which the work can be perceived, reproduced, or
otherwise communicated’” it cannot be viewed as “communicat[ing] a
copy” and thus is not displaying a protected work. Id. at 1160–61 (quoting 17
U.S.C. § 101).
The district court concluded that the server test is the proper standard
to apply to such infringement claims. Rejecting Emmerich’s arguments in
favor of Particle’s, the district court found that the test does not contravene
the Copyright Act’s plain text or purpose. Applying the server test, the
district court held that Particle’s conduct did not infringe upon Emmerich’s
copyright because the NewsBreak App only showed content that was publicly
displayed by Emmerich’s servers.
No other circuit has disavowed the server test. Our court has not yet
addressed the server test, and the question certified on appeal requires us to
consider whether it is the appropriate standard for examining infringement
upon a copyright owner’s right to display its content under Section 106(5),
or whether the statute compels a different understanding.
For the reasons discussed below, we find the server test is on weak
statutory footing. Put simply, the server test focuses on the definition of
display—which requires showing a fixed work. The server test rests on the
idea that a work is always fixed on a server. But we shift the focus to the
definition of displaying a work publicly—which requires transmitting the
work. Although rooted in different statutory text, this shift likely provides
similar results as the server test in many ways.
To arrive at this statutory conclusion, we first anchor to the defined
statutory terms before considering the server test and broader display right
jurisprudence. From there, we compare the language that is most central to
understanding the display right, finding that a focus on the transmittal of the
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content, rather than on where the content is fixed, is most faithful to the plain
meaning of the text, our court’s relevant precedent, and the modern
functioning of the internet.
A. Defining the Display Right
In a matter of statutory interpretation, we “begin with the language of
the statute itself” and “follow the plain and unambiguous meaning of the
statutory language.” United States v. Orellana, 405 F.3d 360, 365 (5th Cir.
2005) (internal quotation marks and citation omitted). Emmerich argues that
the Copyright Act’s plain language “provides no support for the notion that
infringement depends on where the display copy is fixed,” rendering the
server test inconsistent with the statute’s plain language. The parties agree
that the content at issue falls within the orbit of Section 106, but that
“[w]hether it is protected depends on definitions of terms” found in Section
101. Thus, we must consider how the definitions within the statutory
language interact.
The essential language for interpretation is as follows: “to display the
copyrighted work publicly.” 17 U.S.C. § 106(5) (emphasis added). Taking
each definition—and nested definitions—in turn, we assemble a complete
view of the statute.
Display. Turning to the first defined word, to “display” a work
“means to show a copy of it, either directly or by means of a film, slide,
television image, or any other device or process or, in the case of a motion
picture or other audiovisual work, to show individual images
nonsequentially.” 17 U.S.C. § 101 (emphasis added).
As emphasized, to understand the full meaning of “display,” we must
incorporate the meaning of “show” and “copy.”
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Show. The statute provides no definition for “show,” so we consider
its ordinary meaning. See Cotropia v. Chapman, 978 F.3d 282, 289 (5th Cir.
2020); Wis. Cent. Ltd v. United States, 585 U.S. 274, 277 (2018). To “show”
can be understood as “to cause or permit to be seen.” Show, Webster’s
Third New International Dictionary (1976).
Copy. As defined in the statute, copies are “material objects, other
than phonorecords, in which a work is fixed by any method now known or
later developed, and from which the work can be perceived, reproduced, or
otherwise communicated, either directly or with the aid of a machine or
device.” 17 U.S.C. § 101 (emphasis added). Additionally, “[t]he term
‘copies’ includes the material object . . . in which the work is first fixed.” Id.
(emphasis added).
Fixed. As previewed, one of the critical terms to define and interpret
is what constitutes a “fixed” work. The statute provides:
A work is “fixed” in a tangible medium of expression when its
embodiment in a copy or phonorecord, by or under the
authority of the author, is sufficiently permanent or stable to
permit it to be perceived, reproduced, or otherwise
communicated for a period of more than transitory duration.
17 U.S.C. § 101.
Aggregating the above definitions from “display,” the Copyright Act
“defines ‘display’ in very broad terms that encompass a great many
activities.” R. Anthony Reese, The Public Display Right: The Copyright Act’s
Neglected Solution to the Controversy Over RAM “Copies,” 2001 Univ. Ill.
L. Rev. 83, 87. But our work does not end there: “the copyright owner’s
exclusive right is not a right to make all displays but only a right ‘to display
the copyrighted work publicly.’” Id. (quoting 17 U.S.C. § 106(5)). Thus,
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understanding the meaning of “publicly” serves as an essential narrowing
and clarifying mechanism.
Publicly. To display a work “publicly” means “to transmit or
otherwise communicate” it “to the public, by means of any device or
process.” 17 U.S.C. § 101. Particle, quoting the Ninth Circuit, notes that
“Congress did not define ‘otherwise communicate,’ but it must ‘at least
involve[] sending out some sort of signal via a device or process to be received
by the public at a place beyond the place from which it is sent.’” See Columbia
Pictures Indus., Inc. v. Pro. Real Est. Invs., Inc., 866 F.2d 278, 280, 282 (9th
Cir. 1989).
Finally, to understand the definition of “publicly,” we must also
incorporate the word “transmit.”
Transmit. To “transmit” means “to communicate [a performance or
display] by any device or process whereby images or sounds are received
beyond the place from which they are sent.” 17 U.S.C. § 101.
* * *
From the definitions above, the statutory language in
Section 106(5)—“to display the copyrighted work publicly”—distills to the
following: To show a fixed work by transmitting it to the public. With the
comprehensive text in mind, we consider whether the server test comports
with Section 106(5) or whether the statute compels a different approach.
B. The Server Test
Following its inception in Perfect 10, the server test has been applied
in the Ninth Circuit for nearly two decades. To date, however, other courts—
district and circuit alike—have ranged in whether to embrace, distinguish, or
criticize the test. Before we analyze the statutory basis for the test, we first
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discuss the Ninth Circuit’s approach, followed by how it has been treated in
subsequent jurisprudence in other federal courts.
1. Perfect 10
In the foundational “server test” case, the publisher of an adult
subscription website, Perfect 10, sued Google and Amazon. Perfect 10, 508
F.3d at 1157. Perfect 10 owned the copyright to the images it published, and
certain ones were located in a subscriber-only, password-protected area of its
website. Id. Although Google did not directly include these protected images
in its image search results, “[s]ome website publishers republish[ed] Perfect
10’s images on the Internet without authorization.” Id. The challenge was
that Google’s search engine included in its index “the webpages containing
these images,” and, by way of that, provided thumbnails of the images in
response to user inquiries. Id. If the user clicked on the thumbnail, the user’s
browser would “access[] the third-party webpage and in-line link[] to the full-
sized infringing image stored” on the third-party’s computer. Id. Thus the
user saw the image in Framed View from Google’s webpage, and Perfect 10
sued Google, asserting copyright infringement for this alleged display. Id.
The central issue the Ninth Circuit resolved in this case was whether
Google can be liable for its linking practices. As developed in Perfect 10, the
court fastened to a particular interpretation of “fixed” in the Copyright Act.
Id. at 1160. The court held that content is “fixed in a tangible medium of
expression” when it is “embodied (i.e., stored) in a computer’s server (or
hard disk, or other storage device).” Id. In other words, “the owner of a
computer that does not store and serve the electronic information to a user is
not displaying that information, even if such owner inline links to or frames
the electronic information.” Id. Terming it the “server test,” the court
clarified that linking to content is not an infringement because the content is
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not fixed through that method—it must be stored on the server in order to be
fixed.
As applied, the Ninth Circuit found that Google “does not have any
‘material objects . . . in which a work is fixed . . . and from which the work can
be perceived, reproduced, or otherwise communicated’ and thus cannot
communicate a copy.” Id. at 1160–61 (quoting 17 U.S.C. § 101). Google only
“provide[d] HTML instructions that direct[ed] a user’s browser to a website
publisher’s computer that stores the . . . image,” and “HTML instructions
[are] not equivalent to showing a copy.” Id. at 1161. In turn, there was no
infringement of the display right because Google merely provided coded
HTML instructions to request the content from the server hosting it.
The Ninth Circuit has reaffirmed the server test since Perfect 10 was
decided nearly two decades ago. See, e.g., McGucken v. Valnet, Inc., 2024 WL
5166624, at *1–2 (9th Cir. Dec. 19, 2024), cert. denied, 145 S. Ct. 1965 (2025).
That court has applied the server test outside of the search engine context as
well. In Hunley v. Instagram, LLC, plaintiffs alleged that Instagram violated
their exclusive display right by permitting third-party sites to embed the
photographers’ Instagram content. 73 F.4th 1062 (9th Cir. 2023). The court
held that “[t]he application of the Server Test depends on the method used for
displaying a photo—not the context in which the photo is displayed.” Id. at
1071. The process used in Hunley is the “same process used by Google to
show users third-party images: embedding.” Id. Embedding, as described in
Section I.A, is the type of linking where the embedding website will follow
the HTML instructions it receives from the host website the content is stored
on, after which “the browser will retrieve the image, caption, and formatting
from the host website and display all these elements alongside content from
the embedding website.” Id. at 1064. As the Hunley court described, “[t]he
final product will show the external image ‘embedded’ seamlessly into a
third-party website.” Id. There, the Ninth Circuit again applied the server
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test to find that embedding, with no content stored on the alleged infringer’s
computer, is not copyright infringement. Id.
2. Subsequent Jurisprudence
No circuit has yet adopted the server test outright, but other courts’
internet–copyright jurisprudence provides informative reasoning
nonetheless.3 Starting with the First Circuit, in Society of Holy Transfiguration
Monastery, Inc. v. Gregory, the court considered, in part, whether an
Archbishop violated the Monastery’s display rights to certain translated
works by posting “verbatim or near-identical versions” to his own website.
689 F.3d 29, 36–38 (1st Cir. 2012). Deeming the posted translations to be
sufficiently similar to the Monastery’s, the court also considered whether the
Archbishop’s works were “fixed” and applied an interpretation similar to the
Ninth Circuit. Id. at 55. The court recognized that the copies at issue “were
embodied or ‘fixed in a tangible medium of expression,’ as they were loaded
on the [defendant’s] computer server and posted to his Website.” Id. (first
quoting 17 U.S.C. § 101; then citing Cartoon Network LP, LLLP v. CSC
Holdings, Inc., 536 F.3d 121, 129 (2d Cir. 2008); and then citing Perfect 10,
508 F.3d at 1160). The court also found the copies met the “transitory
duration” requirement under the statutory definitions “as they were
_____________________
3
In addition to the First and Seventh Circuit cases discussed in this section, the
D.C. Circuit has considered an analogous case. See IMAPizza, LLC v. At Pizza Ltd., 965
F.3d 871, 877 (D.C. Cir. 2020) (reasoning, in the context of the reproduction right, that the
“ephemeral transmission of a picture across the internet” does not constitute a “copy”).
The Second Circuit also recently commented on the server test but, because the defendant
did not take a position on whether “publication via embedding constitutes the making of a
copy under the Copyright Act and thus whether it can give rise to a claim for
infringement,” and instead assumed, arguendo that its embedding was actionable, the court
did not decide whether to adopt the server test. Richardson v. Townsquare Media, Inc., No.
25-291-CV, 2026 WL 1097502, at *2 n.2 (2d Cir. Apr. 23, 2026).
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continuously displayed on the Archbishop’s Website.” Id. Accordingly, this
constituted a violation of the display right. Id.
The Seventh Circuit, in a case that parallels the present appeal in key
ways, reached a similar outcome, although its decision turned on the process
of transmitting. In Flava Works, Inc. v. Gunter, copyright owner Flava Works
produces and distributes adult content to websites that are behind paywalls.
689 F.3d 754, 755–56 (7th Cir. 2012). The alleged infringer was “myVidster,
an online service engaged in what is called social bookmarking,” where its
users can point others to content of interest, after which myVidster requests
the “‘embed code’ from the server that hosts . . . the video,” and then
“creates a web page that makes the video appear to be on [its] site.” Id. at
756. The issue specific to Flava Works was that a myVidster user had
uploaded a copy of a Flava Works video, which was bookmarked and then
myVidster linked to that copy. Id. Flava Works thus sued myVidster for
violating, in part, its exclusive public performance right. Specifically, Flava
Works asserted that myVidster was responsible for contributory
infringement (sometimes referred to as secondary liability), which is
“personal conduct that encourages or assists the infringement.” Id. at 757.
This is different from direct infringement or liability, as Perfect 10 involved.
The Seventh Circuit found no such infringement occurred. Although
different than the display right, we find the Flava Works court’s reasoning
apt. In particular, the court determined that providing users with links to
content “is not transmitting or communicating.” Id. at 761 (cleaned up); see
also id. at 757 (“Like a telephone exchange connecting two telephones,
[myVidster] is providing a connection between the server that hosts the video
and the computer of myVidster’s visitor.”). Put simply, the court
determined that “giving web surfers addresses where they can find
entertainment” on websites through “embed[ded] code” is no more
infringement than the New Yorker’s “listing plays and giving the name and
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address of the theaters where they are being performed.” Id. (citing Perfect
10,