Gregorini v. Apple Inc.
CourtCourt of Appeals for the Ninth Circuit
Date FiledOctober 22, 2026
Docket25-3225
StatusUnpublished
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Full Opinion
NOT FOR PUBLICATION FILED
UNITED STATES COURT OF APPEALS OCT 22 2026
MOLLY C. DWYER, CLERK
U.S. COURT OF APPEALS
FOR THE NINTH CIRCUIT
FRANCESCA GREGORINI, No. 25-3225
D.C. No.
Plaintiff - Appellant, 2:20-cv-00406-SSS-JC
v.
MEMORANDUM*
APPLE INC.; M. NIGHT SHYAMALAN,
an individual; BLINDING EDGE
PICTURES, INC., a Pennsylvania
corporation; UNCLE GEORGE
PRODUCTIONS, a Pennsylvania
corporation; ESCAPE ARTISTS, LLC, a
California limited liability company;
DOLPHIN BLACK PRODUCTIONS, a
California corporation; TONY
BASGALLOP, an individual; ASHWIN
RAJAN, an individual; JASON
BLUMENTHAL, an individual; TODD
BLACK, an individual; STEVE TISCH, an
individual,
Defendants - Appellees.
Appeal from the United States District Court
for the Central District of California
Sunshine Suzanne Sykes, District Judge, Presiding
*
This disposition is not appropriate for publication and is not precedent
except as provided by Ninth Circuit Rule 36-3.
Submitted October 20, 2026**
Pasadena, California
Before: BUMATAY, VANDYKE, and MENDOZA, JR., Circuit Judges.
Francesca Gregorini is the writer, director, and producer of an indie film
called The Truth About Emanuel (“Emanuel”). She brought a copyright suit
against Defendants, alleging that the first three episodes of their television series,
The Servant, were substantially similar to Emanuel.
We previously considered the district court’s dismissal of Gregorini’s
complaint on the ground that the works were not substantially similar as a matter
of law. Gregorini v. Apple Inc., No. 20-55664, 2022 WL 522307 (9th Cir. Feb. 22,
2022). We reversed, holding that dismissal was “improper because reasonable
minds could differ on the issue.” Id. at *1 (citation modified). On remand, the
parties completed fact and expert discovery. The case ultimately went to a jury
trial, and the jury issued a verdict in favor of Defendants. Gregorini now
challenges a jury instruction and the district court’s decision to accept the jury
verdict without responding to a pending jury question. We have jurisdiction under
28 U.S.C. § 1291, and we affirm.
1. Gregorini preserved her objection to the final jury instruction on access.
**
The panel unanimously concludes this case is suitable for decision
without oral argument. See Fed. R. App. P. 34(a)(2).
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Federal Rule of Civil Procedure 51(d)(1)(B) requires parties to both “properly
request[]” and “properly object[]” to “a failure to give an instruction.” To make an
objection, a party “must do so on the record, stating distinctly the matter objected
to and the grounds for the objection.” Fed. R. Civ. P. 51(c)(1). But we do not
require “the pointless formality of a specific objection” in situations where “it is
obvious that in the process of settling the jury instructions the court was made fully
aware of the objections of the party and the reasons therefor and further objection
would be unavailing.” United States ex rel. Reed v. Callahan, 884 F.2d 1180,
1184 (9th Cir. 1989).
Such an objection would have been a pointless formality here. See Chess v.
Dovey, 790 F.3d 961, 971 (9th Cir. 2015) (outlining three-factor test). First,
Gregorini “argued the disputed matter with the court” throughout the trial,
repeatedly contending that widespread dissemination may occur through
commercial success or industry saturation. See id. Second, “it is clear from the
record that the court knew [Gregorini’s] grounds for disagreement with the
instruction.” See id. When Defendants moved for summary judgment, they argued
in part that they did not have access to Gregorini’s work. Gregorini filed a brief
opposing the motion, arguing a theory of access based on Emanuel’s industry-
specific notoriety. The district court granted this motion, reasoning that there was
enough evidence that Emanuel enjoyed industry-specific notoriety to create a
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genuine issue of material fact regarding Defendants’ access. The court thus clearly
understood Gregorini’s reason for disagreeing with the proposed instruction on
access. Third, Gregorini repeatedly “offered an alternative instruction” on access
that defined “widespread dissemination.” See id. We therefore “review for abuse
of discretion the district court’s formulation of the instructions and review de novo
whether the instructions accurately state the law.” Skidmore as Tr. for Randy
Craig Wolfe Tr. v. Led Zeppelin, 952 F.3d 1051, 1065 (9th Cir. 2020) (en banc).
2. The court did not abuse its discretion in adopting Ninth Circuit Model
Civil Jury Instruction 17.18. It is true that “use of a model jury instruction does
not preclude a finding of error.” Dang v. Cross, 422 F.3d 800, 805 (9th Cir. 2005)
(citation modified). But the instruction the district court gave here “fairly and
correctly covered” “the substance of the applicable law.” Id. (citation modified).
Model Instruction 17.18 provides in relevant part that a plaintiff may show access
by “a chain of events connecting the plaintiff’s work and the defendant’s
opportunity to view that work” or by “the plaintiff’s work being widely
disseminated.” This correctly states our case law on access. See Loomis v.
Cornish, 836 F.3d 991, 995 (9th Cir. 2016) (citation modified).
The district court did not need to go a step further and explain what it means
for a work to be “widely disseminated.” We have previously held that “[t]he
evidence required to show widespread dissemination will vary from case to case.”
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Id. at 997 (citation modified). And Gregorini was left with “ample room to argue
[her] theory of the case to the jury.” Brewer v. City of Napa, 210 F.3d 1093, 1097
(9th Cir. 2000). Indeed, the instruction did not say that widespread dissemination
could only be shown through a work’s commercial success; rather, it left open the
possibility that the jury could consider commercial success or market saturation, as
Gregorini argued during trial.
3. The district court did not err by accepting the jury’s verdict without first
answering the jury’s request for a definition of “widely disseminated.”1 This case
is unlike cases where the district court gave an inadequate answer or affirmatively
refused to answer the jury’s question. Cf. United States v. Southwell, 432 F.3d
1050, 1052–53 (9th Cir. 2005) (holding district court abused its discretion where it
responded to the jury and refused to provide further clarification even though the
jury “identified a legitimate ambiguity in the original instructions”); Jazzabi v.
Allstate Ins. Co., 278 F.3d 979, 982–85 (9th Cir. 2002) (holding district court
abused its discretion where it provided a second supplemental instruction that was
1
The parties dispute whether Gregorini preserved her objection here. Gregorini
argues that she preserved her objection because she made it before the jury was
discharged, so review should be for abuse of discretion. See Crowley v. Epicept
Corp., 883 F.3d 739, 747–48 (9th Cir. 2018). Defendants argue that Gregorini did
not preserve her objection because she made it only after the court accepted the
jury’s verdict, so review should be for plain error. See United States v. Young, 140
F.3d 453, 457 (2d Cir. 1998). Because Gregorini would not prevail under either
standard of review, we need not decide which is applicable.
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incorrect). Rather, “[w]ith the end of the day fast approaching,” the district court
“opted to give [the] parties a chance to argue their positions orally the next day of
deliberation.” The jury did not need the answer to the question in order to reach a
unanimous verdict, the jury was polled, and Gregorini presented no evidence of
coercion. United States v. Ortega-Garcia, 748 Fed. App’x. 172, 174 (9th Cir.
2019). Under these circumstances, the district court did not abuse its discretion by
not answering the jury’s note. Id.; see also Wilson v. United States, 422 F.2d 1303,
1304 (9th Cir. 1970) (“The necessity, extent and character of additional
instructions are matters within the sound discretion of the trial court.”).
AFFIRMED.
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