Thomas v. Leyline Publishing
CourtCourt of Appeals for the Fifth Circuit
Date FiledNovember 4, 2026
Docket26-10136
StatusPublished
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Full Opinion
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United States Court of Appeals
for the Fifth Circuit
United States Court of Appeals
Fifth Circuit
____________ FILED
November 4, 2026
No. 26-10136 Thomas B. Plunkett, III
____________ Clerk
Shawn Thomas; The Tabletop Adventure, L.L.C., An Iowa
Liability Company,
Plaintiffs—Appellants,
versus
Leyline Publishing, L.L.C., A Texas Limited Liability Company,
doing business as Geek Therapeutics; Leyline Education,
P.L.L.C., A Texas Professional Limited Liability Company; Anthony
Bean, PhD; Alicia Figliuolo,
Defendants—Appellees.
______________________________
Appeal from the United States District Court
for the Northern District of Texas
USDC No. 3:24-CV-3061
______________________________
Before Elrod, Chief Judge, and King and Stewart, Circuit Judges.
Carl E. Stewart, Circuit Judge:
Plaintiffs-Appellants filed this suit against Defendants-Appellees after
a dispute arose between the parties related to their contractual agreement to
jointly develop and market a therapeutic tabletop game. The district court
granted summary judgment in favor of Defendants-Appellees and dismissed
the suit. For the following reasons, we AFFIRM.
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No. 26-10136
I. FACTUAL & PROCEDURAL BACKGROUND
Plaintiff-Appellant Shawn Thomas is an avid enthusiast of tabletop
role playing games (“TTRPG”).1 TTRPGs are board games that are played
in private settings, often around a table with a limited number of participants.
Thomas is also an advocate of using TTRPGs as therapeutic tools to help
individuals who struggle with anxiety or other psychological disorders. In
2018, Thomas began creating fictional characters and stories for a
therapeutic TTRPG game that he would continue to develop for the next few
years.
Defendant-Appellee Anthony Bean, Ph.D., is a licensed Clinical
Depth Psychologist and the sole owner of Leyline Education, P.L.L.C., d/b/a
Geek Therapeutics, and Geek Therapeutics’ publishing house, Leyline
Publishing, L.L.C. (collectively, “Leyline”). According to Dr. Bean, Geek
Therapeutics uses “Geek Therapy,” which is the practice of using the
psychology of geek cultural interests like video games, comic books, movies,
TV shows, and anime to improve mental health. Geek Therapeutics also
provides Continuing Education, certification programs, and training to
licensed clinicians as well as unlicensed individuals who use “Geek
Therapy.” Defendant-Appellee Alicia Figliuolo is a licensed therapist who
serves as Director of Education and Training for Geek Therapeutics. In her
capacity as Director, Figliuolo helped develop and oversee a “Therapeutic
Game Master Course” for Geek Therapeutics.
In 2021, Thomas obtained a Therapeutic Game Master Certification
from Geek Therapeutics to become qualified to host TTRPGs in a
therapeutic environment. That year, Thomas formally adopted the name
_____________________
1
A well-known example of a TTRPG is “Dungeons & Dragons,” often referred to
as “D&D.”
2
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Realms of Kymoria (“RoK”) for the TTRPG that he began creating in 2018.
He also established The TableTop Adventure, L.L.C., for which he is the
sole founder, member, and manager, to market and distribute the intellectual
property associated with RoK. In early 2022, Thomas participated in a Geek
Therapeutics Podcast hosted by Figliuolo where he discussed his plans to
further develop RoK. After the podcast, Figliuolo arranged a meeting
between Thomas, Dr. Bean, and herself to discuss a joint venture to market,
develop, and publish RoK through Leyline and its resources.
During their meeting, Thomas and The TableTop Adventure, L.L.C.
(collectively, “TableTop”) entered into two licensing agreements with
Leyline. In the parties’ first agreement, Leyline agreed to pay TableTop
$50,000 in exchange for all of the content associated with its business model.
The parties agreed in the underlying proceedings, and continue to agree on
appeal, that the first licensing agreement is no longer operable.
The second licensing agreement (“SLA”) forms the basis of the
dispute between the parties in this appeal. TableTop drafted the SLA and the
parties executed it in March 2022. The terms of the SLA assigned Thomas
the role of “Creative Director” and authorized Leyline to sell, lease, or use
the RoK gaming content that it purchased from TableTop for its own users
and clients as needed. Additionally, TableTop agreed to provide numerous
services to Leyline that were associated with the development and marketing
of RoK in exchange for the parties’ “agreed-upon” fees, including “[h]igh-
level writing, editing, and proofreading” of “core rulebooks,” “written
modules,” “written full-length modules,” and “training modules to be used
in Leyline Publishing courses.” The SLA further provided that:
Leyline Publishing will own the rights to produce, market, and
sell the content shared with their own branding. A discussion
in the future to purchase the entirety of the Kymoria IP will
occur at a later date and will have some language that may
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supersede the language in this document. Until that document
is produced and signed then the Kymoria IP and all related
content is owned by me, Shawn Thomas (The Tabletop
Adventure) and I am producing specific content and
authorizing the commercial use of this content (and sales of it)
by Leyline Publishing. The content that is allowed to be used
will be limited to what is purchased by Leyline Publishing.
(The spirit of the above paragraph is intended to allow Shawn
Thomas to own the setting and IP of Kymoria as a whole,
including the logo, website content, business model, and so on
until a formal decision to sell the IP along with the business
model and website format to Leyline Publishing is made or not.
Each of the modules, training, and so on that is purchased
from Shawn by paying the agreed upon fees will be owned
by Leyline Publishing and I cannot ask them to stop
selling/using them in their business model. The exception
being if they refuse to honor the royalty payout described below
or they sell the content to no longer be used by Leyline
Publishing but instead be used by another individual, group, or
business).
The SLA also provided per-word rates to be billed by TableTop to Leyline
for writing, editing, and proofreading; hourly rates for “collaboration,
consultation, DM training, and representing Leyline Publishing at events;”
and royalty payouts. As for products intended for the “Kickstarter
campaign,” the SLA provided that payments to TableTop “will start from
when Kickstarter deposits funds into the Leyline Publishing bank account
after a successful Kickstarter” to be staggered over a 10-month period with
10% paid to TableTop each month. The SLA provided that the purpose of
the staggered payments was so Leyline would “not have to pay a significant
cost up front but also [to] allow [TableTop] the opportunity to be paid for
[its] work and effort if the Kickstarter does not go through.”
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After finalizing the SLA in March 2022, Thomas, Figliuolo, and Dr.
Bean began working toward the production of TTRPG content that
incorporated the RoK setting, resulting in an “RoK QuickStart Kit.”
Thomas and Dr. Bean agreed that the RoK QuickStart Kit needed trademark
protection. But because Thomas did not have the financial ability to
trademark RoK himself, he authorized Dr. Bean to trademark RoK on his
behalf. Thomas agreed to reimburse Dr. Bean for the expense of doing so at
a later date if he desired to take full ownership of the trademark. Dr. Bean
then filed a “Trademark/Service Mark Application” for the name “Realms
of Kymoria.”2
In developing and marketing the RoK gaming content, the parties
planned to use the Open Game License (“OGL”) created by Wizards of the
Coast, Inc. (“WotC”).3 In December 2022, however, the parties learned
through a purported Internet leak that WotC intended to make large-scale
changes to its OGL. Prior to the speculated change, WotC’s OGL permitted
third parties to create gaming content using rules compatible with Dungeons
and Dragons, which is owned and distributed by WotC. This meant that third
parties could use the components created by WotC, and licensed under the
OGL, to create their own games while still allowing for the interoperability
between different games. The anticipated change to the OGL would require
_____________________
2
U.S. Trademark Application Serial No. 97627742 (filed Oct. 11, 2022). According
to Leyline, TableTop never reimbursed Dr. Bean or took ownership of the trademark.
TableTop counters that Leyline ultimately abandoned the trademark application. The
United States Patent and Trademark Office’s website confirms that the trademark
application that Dr. Bean filed in October 2022 was subsequently withdrawn and the
application is no longer active. See
https://tsdr.uspto.gov/#caseNumber=97627742&caseSearchType=US_APPLICATION
&caseType=DEFAULT&searchType=statusSearch.
3
An Open Game License is a public copyright license that permits TTRPG
developers to use and distribute gaming content.
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third-party developers such as TableTop to register their games with WotC
and grant it a “non[-]exclusive, perpetual, irrevocable, worldwide, sub-
licensable, royalty-free license to use th[e] content for any purpose.”
In response to the speculated OGL change, TableTop expressed
concern to Leyline that because the RoK gaming content in its current form
would be dependent on and subject to the OGL, TableTop would be required
to grant a perpetual license of the RoK content to WotC if the parties
proceeded as planned under the terms of the SLA. In an attempt to
circumvent the projected problematic OGL change, TableTop proposed to
overhaul the RoK game to remove its compatibility with Dungeons and
Dragons’s game system and independently develop a new system. But
Leyline objected on grounds that other TTRPGs that have tried to
implement their own mechanics in lieu of the widely used Dungeons and
Dragons system generally failed in the market. Leyline also feared that
TableTop’s proposed system was too complicated and would not be well
received by the game’s target market. Leyline speculated that the work
involved with overhauling the system would entail significant time and
expense, setting back the RoK project launch by many months.
According to Leyline, once the parties disagreed on how to proceed
with respect to the OGL, TableTop ceased communicating with Leyline.
Consequently, in March 2023, Leyline notified TableTop that it planned to
move forward under the terms of the SLA regardless of TableTop’s
opposition. In April 2023, TableTop issued a cease-and-desist letter to
Leyline through its counsel “requiring an immediate cease of all efforts to
reproduce, distribute, modify, publish, or display any part of the RoK
product, to delete or destroy all copies of the RoK IP in [Leyline’s]
possession, and to assign the trademark application that [Leyline] filed in
2022 to [TableTop].” Leyline declined to comply with the terms of
TableTop’s cease-and-desist letter, and in December 2024, TableTop filed
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this suit in the United States District Court for the Northern District of
Texas.
In the district court proceedings, TableTop argued that: (1) Leyline
infringed its intellectual property rights by continuing to market the RoK
game after the parties reached an impasse; and (2) Leyline used Thomas’s
name and image in its promotion of RoK without TableTop’s authorization. 4
Leyline moved for summary judgment on all of TableTop’s claims,
contending that its intellectual property infringement claims were barred by
the SLA. Leyline further argued that TableTop’s remaining claims failed
because TableTop had authorized Leyline to use Thomas’s name and image
and Leyline never profited from the use. In its response to Leyline’s summary
judgment motion, TableTop countered that the SLA was no longer valid and
that even if it was, it did not cover the content that Leyline was using. The
district court agreed with Leyline, determining that it had established the
absence of a genuine dispute of material fact and that TableTop had failed to
respond with competent summary judgment evidence in support of its
contrary claims. The district court then issued summary judgment in
Leyline’s favor.
In its memorandum opinion, the district court determined that the
SLA constituted a valid, binding agreement between the parties that
authorized Leyline to distribute the RoK content. It then rejected
TableTop’s argument that Leyline had breached the SLA by failing to pay
for “over 3,000 hours” of unbilled work. The court reasoned that because
_____________________
4
During the pendency of the underlying district court proceedings, TableTop
moved for a temporary restraining order and preliminary injunction. The district court
denied the motion on grounds that TableTop had not developed a sufficient record to be
awarded preliminary injunctive relief, and it was unlikely to ultimately succeed on the
merits of its claims.
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TableTop had never billed Leyline for the work, there could be no material
breach of the contract and the SLA remained in effect. The court then
concluded that the SLA covered Leyline’s use of the RoK trademark in
marketing and selling the RoK game content based on the written terms of
the SLA. The court rejected TableTop’s claim that “Leyline induced the
creation of derivative works based on [TableTop]’s content” because
TableTop was unable to identify the purported derivative-work content. It
further reasoned that the terms of the SLA did not prohibit Leyline from
developing marketing material that was derivative of TableTop’s original
work. Additionally, the court determined that the SLA conferred a broad
right to Leyline to market, sell, and use the RoK content provided by
TableTop.
The district court further determined that Leyline had established, as
a matter of undisputed fact, that it was authorized to use the RoK content
provided by TableTop under the express terms of the SLA. The court
rejected TableTop’s argument that “some of the rights [Leyline] argue[d]
[it] possess[ed] were only to be granted as part of the first, non-operative,
agreement.” The court reasoned that “[w]ithout any substantiation of what
precise content was provided solely under the first licensing agreement and
not covered by the [SLA], [TableTop’s] argument amount[ed] to no more
than an unsatisfactory assertion of ‘metaphysical doubt.’” See Little v. Liquid
Air Corp., 37 F.3d 1069, 1075 (5th Cir. 1994) (explaining that the summary
judgment burden is not satisfied with “some metaphysical doubt as to the
material facts,” “conclusory allegations,” “unsubstantiated assertions,” or
a mere “scintilla of evidence” (citations omitted)). The court then granted
summary judgment in favor of Leyline on TableTop’s three intellectual
property claims.
The district court similarly rejected TableTop’s name-and-image
claims on grounds that Leyline’s portrayal of Thomas as the creator of RoK
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was true, authorized, and governed by the SLA which was a valid, binding
contract. The court disagreed with TableTop’s argument that its cease-and-
desist letter revoked Leyline’s authorization to use Thomas’s name and
image, explaining that TableTop could not have unilaterally revoked the
valid, binding SLA that granted those permissions. The district court then
determined that Leyline had established as a matter of undisputed material
fact that TableTop could not prove that publicly describing Thomas as the
creator of RoK was false or unauthorized. And because TableTop failed to
point to competent summary judgment evidence in support of its counter
arguments, summary judgment in favor of Leyline on TableTop’s name-and-
image claims was warranted.
This appeal ensued.
II. STANDARD OF REVIEW
We conduct a de novo review of a district court’s grant of summary
judgment. Sanders v. Christwood, 970 F.3d 558, 561 (5th Cir. 2020).
“Summary judgment is proper ‘if the movant shows that there is no genuine
dispute as to any material fact and the movant is entitled to judgment as a
matter of law.’” Id. (quoting Fed. R. Civ. P. 56(a)). A dispute regarding a
material fact is “genuine” if the evidence is such that a reasonable jury could
return a verdict in favor of the nonmoving party. Anderson v. Liberty Lobby,
Inc., 477 U.S. 242, 248 (1986). A plaintiff’s subjective beliefs, conclusory
allegations, speculation, or unsubstantiated assertions are insufficient to
survive summary judgment. See Carnaby v. City of Houston, 636 F.3d 183, 187
(5th Cir. 2011); Clark v. Am.’s Favorite Chicken Co., 110 F.3d 295, 297 (5th
Cir. 1997); see also Celotex Corp. v. Catrett, 477 U.S. 317, 324 (1986). “The
party opposing summary judgment is required to identify specific evidence
in the record and to articulate the precise manner in which that evidence
supports his or her claim.” Ragas v. Tenn. Gas Pipeline Co., 136 F.3d 455, 458
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(5th Cir. 1998). “A panel may affirm summary judgment on any ground
supported by the record, even if it is different from that relied on by the
district court.” Reed v. Neopost USA, Inc., 701 F.3d 434, 438 (5th Cir. 2012)
(citation modified).
III. DISCUSSION
TableTop urges the following five general arguments on appeal: (1)
the district court erred by holding that the SLA was a valid contract that
authorized Leyline to distribute the RoK game materials; (2) the district
court erred by granting summary judgment on its derivative-works claim
despite admitted factual uncertainty; (3) the district court impermissibly
inferred a trademark license contrary to the express reservation in the SLA;
(4) the district court erred by treating time-limited contractual authorization
as perpetual despite TableTop’s withdrawal from the project; and (5) the
district court erred in dismissing TableTop’s unjust enrichment claim where
the SLA’s coverage was in dispute. Leyline contends that all of TableTop’s
arguments on appeal have been forfeited for failure to raise them before the
district court. See Rollins v. Home Depot USA, 8 F.4th 393, 397 (5th Cir. 2021)
(“A party forfeits an argument by failing to raise it in the first instance in the
district court—thus raising it for the first time on appeal. . . .”).
However, our review of the record indicates that, in its response to
Leyline’s summary judgment motion, TableTop did raise to some extent four
of the five general arguments it now presses on appeal—the exception being
its argument related to its derivative-works claim. TableTop rightly concedes
that it failed to advance an argument related to its derivative-works claim in
its response. But it further states, incorrectly, that “the derivative-works
count received no separate argument below from either side, and the district
court decided it solely by construing the [SLA] to ‘confer[] a broad right.’”
An examination of Leyline’s summary judgment motion and brief in support
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reveals that it did in fact raise the issue of derivative works multiple times,
thus putting TableTop on notice.
Nonetheless, as this court has held, the forfeiture rule’s purpose is “to
prevent an appellate court from analyzing the facts of a particular issue
without the benefit of a full record or lower court determination.” Lampton
v. Diaz, 639 F.3d 223, 227 n.14 (5th Cir. 2011) (citation modified). In other
words, forfeiture “generally will not apply when an issue fairly appears in the
record as having been raised or decided.” Id. (citation modified). Moreover,
TableTop raised the derivative-works issue multiple times in its complaint,
which is presumably why Leyline addressed it in its summary judgment
motion in the first place. Thus, because the district court addressed the
derivative-works claim in the proceedings below, and Leyline is not
prejudiced because it has had an opportunity to respond to the issue on
appeal, we proceed to address it on the merits along with TableTop’s
remaining general appellate arguments. Id.; see also JMI Contractors, L.L.C.
v. Medellin, 738 S.W.3d 775, 792 (Tex. 2026) (“[F]ederal appellate courts
have long endorsed the oft-invoked principle that they may review any issue
presented to them that was pressed or passed on below.” (emphasis in
original)). Nevertheless, because it appears that TableTop advances many
new, substantive arguments on appeal in support of its original arguments
before the district court, we limit our discussion to its original arguments and
consider any new supporting arguments forfeited. See Rollins, 8 F.4th at 397
(“A party forfeits an argument by failing to raise it in the first instance in the
district court—thus raising it for the first time on appeal. . . .”); see also
Shambaugh & Son, L.P. v. Steadfast Ins. Co., 91 F.4th 364, 371 (5th Cir. 2024)
(“[A]llowing forfeited arguments to be cured by appellate briefing would
contradict our well-established precedent on issue preservation, and it would
undermine the core purpose of our forfeiture rules by opening the door for
appellate review of un- or underdeveloped records.”).
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The district court divided TableTop’s claims as set forth in his nine-
count complaint into two broad categorical arguments: (1) that Leyline
allegedly infringed its intellectual property rights by continuing to market the
RoK game after TableTop attempted to withdraw from the terms of the SLA;
and (2) that Leyline allegedly used Thomas’s name and image to promote the
RoK content without authorization. Because TableTop urges on appeal most
of the arguments that it raised before the district court in its nine-count
complaint, we analyze them in a similar fashion herein.
A. Intellectual Property Claims
TableTop’s arguments related to its intellectual property claims are
that: (1) the district court erred by holding that the SLA was a valid contract
that authorized Leyline to distribute the RoK game materials; (2) the district
court erred by granting summary judgment on its derivative-works claim
despite admitted factual uncertainty; and (3) the district court impermissibly
inferred a trademark license contrary to the express reservation in the SLA.
We address each in turn.
(1) The Validity of the SLA
With respect to its argument regarding the validity of the SLA,
TableTop contends that the threshold question is not whether Leyline
breached the terms of the SLA, but whether it “ever obtained a license to the
unpaid content in the first place.” According to TableTop, the district
court’s conclusion that the SLA was a valid, binding contract that authorized
Leyline to distribute the RoK game materials was “wrong as a matter of
federal copyright law and Texas contract law, and, [was] in any event, not the
only reasonable reading of the agreement.” Thus, TableTop avers, the
district court erroneously resolved the SLA’s contractual ambiguities in
favor of Leyline which lead to its incorrect interpretation of the SLA. We are
not persuaded.
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The parties agree that Texas law governs the SLA. “To the extent
that it is not inconsistent with the Copyright Act and its policies, Texas law
governs our analysis of whether the parties contractually created a . . .
license.” Lulirama Ltd., Inc. v. Axcess Broad. Servs., Inc., 128 F.3d 872, 880
n.7 (5th Cir. 1997). Under Texas law, “[t]he elements of a valid contract
include: (1) an offer; (2) acceptance; (3) meeting of the minds; (4) each
party’s consent to the terms; and (5) execution and delivery of the contract
with the intent that it be mutual and binding.” Cessna Aircraft Co. v. Aircraft
Network, L.L.C., 213 S.W.3d 455, 465 (Tex. App. 2006) (quoting Prime
Prods., Inc. v. S.S.I. Plastics, Inc., 97 S.W.3d 631, 636 (Tex. App. 2002)).
We agree with the district court that Leyline established that the SLA
was a valid and enforceable contract. As an initial matter, TableTop drafted
the detailed and specific terms of the SLA, submitted it to Leyline, and Dr.
Bean signed and dated it on March 7, 2022.5 Thus, there was an offer,
acceptance, a meeting of the minds, and both parties consented to the terms.
Id. Further, TableTop began performing under the SLA by producing
content under its terms, and billing Leyline in accordance with the payment
parameters set forth therein. Indeed, TableTop explicitly concedes in its
brief on appeal that it “performed services under the [SLA] from March
2022 through March 2023.” Thus, there was execution of the terms of the
SLA by both parties for at least one year before this dispute arose. Id. Given
our conclusion that the SLA was a binding contract between the parties, the
_____________________
5
Although TableTop does not appear to reassert this argument on appeal, we agree
with the district court that under Texas law, “a contract need not be signed by the parties
to be executed, and hence binding, unless the parties explicitly require signatures as a
condition of their mutual assent.” Chubb Lloyds Ins. Co. of Tex. v. Buster & Cogdell Builders,
LLC, 668 S.W.3d 145, 151 (Tex. App. 2023). Here, because the SLA does not expressly
require that both parties sign it, we consider it valid even though it does not contain
Thomas’s signature.
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question becomes whether the SLA authorized Leyline to distribute the RoK
game materials. We conclude that it did.
The express terms of the SLA state that “[t]he content that is allowed
to be used will be limited to what is purchased by Leyline Publishing.” The
SLA further states that “[e]ach of the modules, training, and so on that is
purchased from [TableTop] by paying the agreed upon fees will be owned by
Leyline Publishing and [TableTop] cannot ask [it] to stop selling/using them
in their business model.” Additionally, the SLA provides that “[h]igh-level
writing, editing, and proofreading of services will be billed at a rate of $0.12
per word ($0.10 for writing and $0.02 for editing/proofreading).” Finally,
the SLA terms require Leyline to “send payment within 10 days of mutual
agreement and acceptance on the finalized product and/or within agreed
upon payment schedules for collaboration/consultation/training.”
TableTop concedes that it submitted invoices to Leyline in
accordance with the terms of the SLA and that every invoice that it submitted
was paid in full in accordance with the SLA’s terms. But it further contends
that it performed additional services for which it had not yet billed Leyline
because “the project was still in development” and certain services such as
“high-level writing, editing, [and] proofreading” would be “accounted for
upon project completion.” Thus, TableTop’s position on appeal is that
because it had not yet billed Leyline for certain content that it produced
under the terms of the SLA, the SLA did not authorize Leyline to use that
content.
In the proceedings below, TableTop claimed that Leyline materially
breached the terms of the SLA by failing to pay TableTop for its unbilled
work, and for that reason, TableTop was permitted to terminate the SLA. In
support of its argument, and in response to Leyline’s motion for summary
judgment, TableTop produced an affidavit and “summary” claiming the
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“existence of ‘over 3,000 hours of billable work’ that was ‘unbilled and
unpaid by’ [Leyline].” TableTop contended that “[a]ny authorization to use
content under the terms of [the SLA] was conditioned on [Leyline] honoring
contract terms, especially payment and development obligations.” TableTop
thus avers that because Leyline used content that TableTop had submitted
without first paying for that content, it breached the terms of the SLA, even
though TableTop never sent Leyline an invoice for that content.
Quoting Bunting v. State Farm Lloyds, the district court rejected
TableTop’s argument, reasoning that “[t]he failure to pay a claim that was
never made cannot constitute a breach of contract.”6 See No. 3-98-CV-2490-
BD, 2000 WL 191672, at *4 (N.D. Tex. Feb. 14, 2000). It then concluded
that, under the terms of the SLA, Leyline’s promise to pay TableTop’s
invoices as they were submitted constituted its consideration under the
agreement.
TableTop appears to have abandoned its breach-of-contract argument
on appeal, thus we focus our analysis on its argument that the SLA only
authorized Leyline to distribute the RoK game content that it had purchased,
i.e., for which it had paid an invoice.7 According to TableTop, the SLA’s
_____________________
6
The district court declined to reach the issue of whether TableTop’s summary of
unbilled hours constituted competent summary judgment evidence because TableTop’s
concession that it never billed Leyline for the content at issue disposed of its claim.
7
In its appellate brief, TableTop states that “[w]hether Leyline materially
breached the agreement by failing to pay is a separate question from whether the license
attached in the first place. The [d]istrict [c]ourt conflated the two.” The record reveals,
however, that TableTop expressly argued in its response to Leyline’s summary judgment
motion that: (1) “the [SLA] [was] likely invalid, or was breached by defendants,” and also
that (2) Leyline’s “failure to pay the promised amounts is an undisputed material breach
that voids or suspends any alleged license.” Thus, the district court did not “conflate” his
arguments—it addressed them as they were presented. Moreover, because TableTop no
longer meaningfully advances his breach-of-contract argument on appeal, we decline to
analyze it herein. Rollins, 8 F.4th at 397 (“A party forfeits an argument by . . . failing to
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“license-grant clauses are scope-limiting conditions tied to specific payment
scenarios [and] none of those scenarios was triggered for the disputed work.”
This argument fails for several reasons.
We first note the district court’s observation during the summary
judgment proceedings that when it denied TableTop’s motion for a
preliminary injunction, TableTop had not yet established that Leyline had
distributed, or planned to distribute, unpurchased content created by
TableTop. The court further stated that, in response to Leyline’s summary
judgment motion, TableTop still had “not specified what copyrighted
content Leyline is using or plans to use without license.” Accordingly,
TableTop failed to carry its summary judgment burden by “identify[ing]
specific evidence in the record” and “articulat[ing] the precise manner in
which that evidence support[ed] his . . . claim” that Leyline distributed
TableTop’s content in contravention of the SLA’s terms. Ragas, 136 F.3d at
458. We can affirm the district court’s summary judgment on this issue solely
on this basis. Id.
But even if we were to accept TableTop’s reading of the SLA,
Leyline’s authorization to use the content that TableTop had provided to it
would become conditional on its pre-payment of the invoices associated with
that content. This would hold true even though TableTop had submitted
content to Leyline but temporarily withheld the invoice or planned to bill for
it later, as the terms of the SLA permitted it to do. TableTop’s reading of the
SLA, however, is inconsistent with the terms of the SLA as a whole. See In re
Ford Motor Co., 211 S.W.3d 295, 298 (Tex. 2006) (“[C]ontract provision[s]
cannot be read in isolation; all the provisions must be considered with
reference to the whole.”). This is because, as the district court observed, in
_____________________
adequately brief the argument on appeal.”).
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many circumstances, payment under the SLA was contemplated to occur
after Leyline used the content produced by TableTop to generate revenue.
To be sure, the SLA specified exactly how, and on what schedule, Leyline
was to use that generated revenue to pay TableTop at later dates. The SLA
expressly provides that:
If the products are intended for a Kickstarter then an
alternative payment plan can be leveraged. Payment (original
fee of $0.12 per word and any additional illustrations) will start
from when Kickstarter deposits funds into the Leyline
Publishing bank account after a successful Kickstarter.
Payment to me will be staggered out over the course of 10
months (10% paid each month). Royalties, based on the same
sales goals as noted in the third bullet point above will be paid
separately in Ql following the same logic. The option to pay
more than 10% per month is allowed and up to Leyline
Publishing and their flexibility. Paying faster will not shorten
the overall 10-month window to complete payment.
In the event the Kickstarter fails or anything else then the
current completed content will be handed over as-is and will
need to be paid over the course of 4 months (25% per month).
(The spirit of the Kickstarter content is to allow Leyline
Publishing the opportunity to stagger their payments to me and
not have to pay a significant cost up front but also allow me the
opportunity to be paid for my work and effort if the Kickstarter
does not go through.)
TableTop argues that the language appearing earlier in the SLA that
“[t]he content that is allowed to be used will be limited to what is purchased
by Leyline” requires Leyline to make advance payment before using any of
TableTop’s content. On appeal, TableTop still fails to identify the content
that it alleges Leyline has used without authorization under the terms of the
SLA, purportedly implying that it is any and all content for which it does not
have a paid invoice from Leyline. But this directly conflicts with the SLA’s
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terms authorizing Leyline to use TableTop’s content to generate revenue
and then use that revenue to pay TableTop at a later date. Id. We thus agree
with the district court that, under the plain terms of the SLA, Leyline’s
agreement to pay for TableTop’s content—not its ultimate payment—
triggers its license to use and sell the content. TableTop’s alternative reading
is not reasonable. We therefore hold as a matter of law that the SLA “is not
ambiguous and will be enforced as written.” Evergreen Nat’l Indem. Co. v.
Tan It All, Inc. 111 S.W.3d 669, 676 (Tex. App. 2003) (citation omitted).
Accordingly, we conclude based on the terms of the valid, binding SLA
between the parties that Leyline was authorized to use the content that
TableTop submitted to it, including the content for which TableTop had not
yet billed Leyline.
(2) Derivative-Works Claim
TableTop’s next argument is that the district court erred by granting
summary judgment on its derivative works claim despite the court’s admitted
factual uncertainty on what constituted TableTop’s derivative works. Its
argument falls short once again.
As this court has explained, a “derivative work” is one that is “based
upon one or more preexisting works.” Nola Spice Designs, L.L.C. v. Haydel
Enters., Inc., 783 F.3d 527, 551 (5th Cir. 2015) (citing 17 U.S.C. § 101). “[T]he
owner of [the] copyright . . . has the exclusive rights to . . . prepare derivative
works based upon the copyrighted work[.]” 17 U.S.C. § 106(2).
In addressing this issue during the summary judgment proceedings,
the district court explained that:
It is unclear to the [c]ourt what content distributed by Leyline
is purportedly derivative of [TableTop]’s copyrighted content,
and [TableTop] do[es] not identify any such content. In any
event, however, the [SLA] confers a broad right to market, sell,
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and use RoK content provided by